John Woo denies directing "Rain of Swords" and says he will pursue his boyfriend

John Woo once again denied that he directed "Rain of Swords" Su Zhaobin made fun of Tsui Hark

    At the press conference, John Woo’s first words after taking the stage were: "I am just a producer in this drama, sitting next to the monitor and not talking. The real director is Su Zhaobin." After "clarifying" at the Venice Film Festival that he was not the director of "Sword Rain", Woo once again emphasized this point on the same day, and immediately won a lot of applause from the crowd. He also joked that if he had not thought that this was Su Zhaobin’s film, he would have added a shot of the white dove to the film. Su Zhaobin responded with more humor: "I added the white dove, I put a small white bird in it."

    For the producer Woo Yu Sen, Su Zhaobin also praised, "There will be a lot of pride in his movies, because he is such a person, just like Xu Ke, who has shot so many strange things. In fact, he is such a person." Then Su Zhaobin said as if he suddenly woke up: "Oh! Did I offend Xu Ke?" In "Sword Rain", Yeoh and Zheng Yusheng play husband and wife. The two actors are 11 years apart in age. For this sibling relationship, Su Zhaobin did not feel anything wrong. "Now it is a trend for older girls to match a younger boy. More and more stars are like this, and everyone will not care about age."

Interview with Wang Jing of "More than Endless" | Can Zhang Songwen continue to "go crazy"

1905 movie network feature Let’s start with a report from 20 years ago.


The first case of "hepatitis B discrimination" occurred in Anhui in 2003. The relevant media followed up on the incident and published an article "Anti-Discrimination Claims of Chinese 120 million".



The article quickly caused social effects, and finally in early 2010, the relevant state departments issued the "Notice on Further Regulating Enrollment and Employment Examination Programs to Safeguard the Enrollment and Employment Rights of Hepatitis B Surface Antigen Carriers", and hepatitis B patients and hepatitis B virus carriers finally ushered in the spring.


After 20 years, the film based on the incident and starring in it has finally been released.



But the film is not purely a re-enactment of the original event. "The final result it presents may be a little confusing to everyone, but all the original starting points are still about a character." In an interview with 1905 Film Network, the director said his original intention of creation.


The post-80s director, who graduated from the Beijing Film Academy and made commercials and documentaries, later joined the team and served as an assistant director for other works. Finally, 10 years after graduation, he developed the urge to create his own films and began the creation of "More than Endless".


At least this creation is a "more than endless" for him.


01.


In 2007, Wang Jing graduated from the Beijing Film Academy, and she always wanted to shoot her own work, but she was not in a hurry. "I was wondering what kind of movie would be my first film."


In the process, he thought about making a story related to himself, about coming to Beijing in 2003, maybe a story about Beipiao, "but I would feel that this thing is not satisfied. China is so big, if it is just a personal story, it is not representative enough." Until one day, when the producer Tang Yan, a veteran former media person, talked about the media story of that era, "I think it may be a good entry point."


This career setting opened Wang Jing’s desire to create, "He is originally an observer to observe society, and he is also a participant, participating in this society. And the core of the story itself is an idealism."


After Wang Jing finished filming "Children of Jianghu", he quickly threw himself into his own creation. The first draft was completed in early 2018, but everyone was not satisfied, "It was released at that time, and after we watched it, we didn’t want to output too much homogeneous content." Although everyone was frustrated, they readjusted their state and began to create another draft.



Although the creation has been slowly adjusted from the original North Drift to the current state, for Wang Jing, "I always want to tell a story of self-doubt, which is the growth of people." Eventually, in the movie, Han Dong (Bai Ke, played) will ask himself if he is suitable for this matter when he encounters difficulties. "This kind of emotion is actually very similar to the emotion I had when I first arrived at Nortel. I tried to’translate ‘this emotion from me to this character."


02.


Producer Jia Zhangke believed in the story from the moment he decided to start creating the project.


For Wang Jing, Beijing in 2003 was the beginning of a realization: "I had just come to Beijing to attend university and was a stranger, but I lacked the unique emotion of the social atmosphere and the relationship between people at that time. Director Jia was very excited to share with me a lot of things about their time."



In 2003, it seemed to be very far away from everyone, but it seemed very close. Wang Jing still remembered that when he and Jia Zhangke were preparing "Mountains and Rivers", they saw a lot of video footage, "There is a period in my impression around 1999, everyone is in good spirits, they are all in suits and shoes, I will think they are very far away from me, but I think it will only be more than ten years."


During the preparation process, Wang Jing couldn’t help but lament that China’s development speed was too fast, which seemed to be only a few years away, but from the clothes of the public and the architecture of society, "We often wonder how we can not wear gangs."



The entire art team had put a lot of effort into this, especially at the moment, it was already difficult to find a traditional newspaper office, but the team went to the major newspapers to collect news, and still found a lot of details. Almost every table, even if the audience could not see the whole picture, there was a story behind it and the reporter.


Almost every detail of "More Than Endless", Wang Jing tries to bring the audience back to 2003 as much as possible.



In addition to art and styling, he incorporated a lot of rock music into the soundtrack. It was all his memories in 2003. At that time, there was a term in Beijing called "new sound of music". Suddenly, a new rock band would appear, everyone would like it, and there might be a new band the next day.


"Every day brings new surprises and possibilities, which was a very beautiful side of that era." And the Joyside song "If There Is A Tomorrow" was once again translated into Chinese, and "If Tomorrow Comes" became the theme song of the movie.



03.


The song by the band Joyside was placed at the end of the credits, becoming a kind of "burner" of emotions, which seemed to give the audience and characters a chance to release it on the same frequency.


But as Wang Jing said, there is no right or wrong in the movie, I just want to make the story clear.


The two seem to be contradictory, just like in the movie, Han Dong found Huang Jiang (played by Zhang Songwen) because of his friend Zhang Bo (played), hoping to withdraw the manuscript. The other party was furious and said, "As a reporter, you must not let sympathy lead you by the nose. Compassion will only affect your judgment."



Looking back at the ending, this sentence seems to have become a false proposition, but from the perspective of the original intention and expression of the film, it seems to have become a key.


Wang Jing boasts of being a rational person. "From my perspective, I think that before a person has the ability to think rationally, he should first have the most basic emotional ability, which is called empathy."



When Wang Jing designed the character Han Dong, he did not pursue the growth aura of the character too much, and used the regular highlight moment to perfect his character arc, "He is a flat arc character, from the beginning to the end, he believes in one thing."


It’s just that in the process, "we try to get him to doubt, and then we get rid of the self-doubt."



Therefore, Han Dong and Huang Jiang had two completely different attitudes towards the handling of the "hepatitis B examination" matter, but they were not right or wrong, but at the point of conflict and confrontation, Huang Jiang may have sympathy for these people, but reason will make him deny this sympathy. "This may be a kind of inertia in the face of such things because he has been in the industry for so long."


In a scene in the movie, a senior reporter from the newspaper said to Han Dong, "In fact, many reporters have been working for a long time, and they have purely regarded journalists as a profession, not an ideal. I hope you are not." 



And when the movie ends, Han Dong will return to the newspaper office. Will his journalistic ideals continue to support him, or will they change? Will Huangjiang be affected after this incident?


"No one will become another person. I also believe that if the story continues to develop, Han Dong will become a better Han Dong in the future, and Huangjiang will also become a better Huangjiang."


This is also another topic that Wang Jing wants to talk about in "More than Endless", idealism.


04.


In order to make this movie, Wang Jing did a lot of research.


He called hepatitis B carriers "comrades-in-arms," and after several interviews, he found that he had simplified the issue. Although the topic was brought up frequently in those days, and later policies and regulations were put in place to support them and give them back strength, as if they had more confidence, but the reality was not. On the contrary, "when they faced a status quo that seemed difficult to change, they chose not to resist."

Just like in the movie, when Han Dong returned to the water station and hoped to use his own strength to justify their names, the other party said, "It has nothing to do with you."


The voice is powerful, but the emotion is powerless.


The concentration of this emotion moved Wang Jing fiercely, "I hope it can be fully presented in the movie." The movie was almost shot smoothly, only the content of the final interview with the hepatitis B patient was reserved for the last shooting by Wang Jing.


It’s just that at the end of the movie, emotions gush out and there is a result, but Wang Jing doesn’t give a real answer, "" More than Endless "has no answer, I think if a movie wants to give an answer, it will fail completely."



Nowadays, the movie is officially released, and some people like it, with a score of 7.4 on Douban; others dislike it and feel that it is very different from such news-themed movies.


However, for Wang Jing, compared to the premiere at the Venice International Film Festival three years ago, he was so nervous that the smartwatch frequently reminded him that his heart rate was too fast. This time, it was more of an excitement.


Because many viewers have been paying attention to this movie for a long time, they finally have the opportunity to see the real face on the big screen, and they go to Wang Jing’s Weibo to leave a message, going to "trial".


"I think this word is very meaningful. Everyone will watch a movie with their own subjective judgment, but a movie is a movie. Whether the audience likes it or not, everyone criticizes or expresses their own feelings, which is a very happy thing for the film creator."


Guo Fucheng made his first appearance after saying goodbye to his deceased mother, showing up at the racecourse in full spirit and refusing to shake hands for epidemic prevention

In February this year, Guo Fucheng’s 90-year-old mother passed away. The family held a funeral for Guo’s mother in March. Guo Fucheng, his wife Fang Yuan, father-in-law and mother-in-law, and two daughters were all present. The family bid farewell to Guo’s mother. At that time, Guo Fucheng was also photographed crying silently, which was very sad.

However, Guo’s mother was 90 years old after all, and she died in her sleep at home. Xiao Mei, Guo Fucheng’s agent, said that this is a blessing, and relatives are comforted.

After Guo Fucheng completed the funeral, he sent a thank you letter, and then stayed at home with his wife and daughter to avoid the epidemic, which was not photographed by the media.

On March 25th, Guo Fucheng’s horse "Dancer Spirit" competed, and everyone was concerned about whether Chengcheng would bring his wife to the scene to watch the competition as before!

In the past, he would take his wife to watch the race and let Fang Yuan understand the knowledge of horse racing.

The two couples also tried to pull the horse together and were very happy.

In the evening, Guo Fucheng did arrive at the racecourse, but this time he did not see his wife Fang Yuan. This was the first time he had appeared in public after saying goodbye to his mother.

According to reports, Guo Fucheng joined the Jockey Club CEO Ying Jiabai and horse trainer Xiao Fang to enjoy the "dancer spirit" competition!

COVID-19 is raging, and Guo Fucheng has actually been paying attention. Hong Kong media said that he "banned" his wife and daughter from going out, and drove himself to the supermarket to shop and go home. He did not want his wife and daughter to "have an accident".

This night, in order to support his horses, Guo Fucheng still risked appearing at the racecourse to cheer for the sixth competition "Dancer Spirit".

Ying Jiabai, the CEO of the Jockey Club, noticed the appearance of the distinguished guest and immediately stepped forward to greet them. Both celebrities were wearing masks. In order to prevent the epidemic, they temporarily cancelled the handshake etiquette and replaced it with an elbow. The picture was a bit funny.

However, Ying Jiabai wanted to whisper to Guo Fucheng, during which he took the initiative to chat at close range. After Guo Fucheng heard what he said, his eyes immediately became sharp. I wonder if he received good news?

Xiao Fang also went to Guo Fucheng’s side to report the recent performance of the dancer’s spirit. If he won three consecutive victories, Guo Fucheng could take a group photo.

During this period, Guo Fucheng took out his mobile phone to look at it. I wonder if his wife urged him to go home?

However, it was a pity that the hot dancer spirit was eighth, and Guo Fucheng was a little disappointed and soon disappeared into the crowd.

Fan Bingbing pushes Zhang Ziyi to promote new film, director responds to "ban" rumors



Fan Bingbing

Wang Ji


Grid News(Photo/Qian Jia Yiwen/Wang Xiaojuan) On August 14, Zhang Ziyi’s first producer and starring film "Very Perfect" was released nationwide. Director Jin Yimeng and starring Fan Bingbing "Skipped" Zhang Ziyi appeared in Beijing and responded to the "ban" rumors for the first time. That night, actors Wang Ji, Li Xiaolu, Yan Kuan and other directors came to watch the film, and Zhao Baogang, Lu Chuan, Zhang Yibai and other directors also came to join in, which can be called the "director’s field" of "Very Perfect".



"Perfect.Director Jin Yimeng

Director Lu Chuan

Director Zhang Yibai

strict width

Wang Ji, Jin Yimeng and Fan Bingbing


Wang Ji offered three "firsts"

At the press conference, director Jin Yimeng made an appearance with starring Fan Bingbing and Lin Xinru’s "boyfriends" in the film. Actor Wang Ji praised the director’s strength and revealed that she dedicated three precious "firsts" to director Yimeng, hoping to have the opportunity to cooperate again. Fan Bingbing praised the director as a beautiful woman director, and he is destined to cooperate with young beautiful women and handsome directors.

The director responded to the "ban" rumor for the first time

That night, director Jin Yimeng attended the press conference alone with star Fan Bingbing, but Zhang Ziyi, a film producer and star, did not attend. Recently, it was rumored on the Internet that Fan Bingbing was deleted from the Korean version of the poster because he was unhappy and did not want to cooperate with the promotion in Korea. It was further reported that Fan Bingbing and director Jin Yimeng were banned by Zhang Ziyi, so they did not attend the Korean promotion. In this regard, the reporter asked director Jin Yimeng, who said that Zhang Ziyi was a producer and did it himself, which was very difficult. Before seeing this film, the general audience may ignore the director, thinking that the director is not very important. For this arrangement of the early investors, Jin Yimeng said that as long as it is beneficial to the promotion of the film, if there is any need in the future, he will cooperate.



More wonderful pictures on the next page

Di Lizheba makes a beautiful and sweet appearance, and the most beautiful performance is a public cast

Di Lizheba's "The Most Beautiful Performance" poster

Di Lizheba’s "The Most Beautiful Performance" poster

??"The Most Beautiful Performance" exposed the visual poster of actor Di Lizheba on January 14. The hair rolled up reveals a slender swan neck, and a few strands of hair are scattered on the plain and white face. The eyebrows are green and the mountain eyes are cut, and the head is slightly tilted to look at you and smile. The poster of Di Lizheba is gentle and sweet, and it radiates the heartbeat of winter healing.

??2017In 2020, a costume fantasy drama "Three Lives Three Worlds Ten Miles Peach Blossom" went LIVE and set off countless heated discussions. The attention and discussion remained high, which also made Bai Fengjiu, a playful, cute and smart nine-tailed red fox, jump into the hearts of many audiences. Three years later, in 2020, Di Lizheba became Bai Fengjiu again in "Three Lives Three Worlds Pillow Book". From the body to the eyes, emotions to the atmosphere, Di Lizheba interpreted the love-hate entanglement and sadomasochism in the play vividly and unforgettable. In the urban workplace romance drama "Happiness is within reach!", which was broadcast in the same year, Di Lizheba turned into an independent and capable workplace elite – clothing designer, company partner Zhou Fang, domineering and bright characters showed his changeable posture and strong plasticity as an actor. Then successively filmed the historical legend of ancient costumes "Long Song Xing", the urban romance drama "You are my glory", whether it is the tough hot-blooded girl Li Changge, or the popular female star Qiao Jingjing, Di Lizheba can always play well between different roles, giving it unique vitality. Farewell to Gao Wen, who has a wide range of fans of "Carat Lovers", Di Lizheba continues to create more shining wonders on the actor’s road in the name of love.

??The past 2020 has been an unforgettable experience in everyone’s heart. Because of perseverance and bravery, we can move forward through difficulties and setbacks, and we can also welcome hope with laughter and tears. Towards the end of 2020, Sina Entertainment pays tribute to the brave "you" in all walks of life with "The Most Beautiful Performance". What stories about bravery will be brought by excellent actors and directors this time? Please wait for the main film to go online to see it! (Lin Yiwen/Wen)

Chen Edison will announce his comeback in Hong Kong in March, setting off another boom. He has said he will leave indefinitely

For your better reading interactive experience, in order for you to see more content in time, click "Follow", we will update you with exciting information every day!

Editor: Red Forum

The heart of music never fades away

Despite his new identity and achievements in the trend world, Edison Chen’s love for music has never diminished. His musical talent has been revealed in his early works, especially the unique style shown in the song "God" from the album "Three Angles". Now, he has announced that he will form "Three Angles 3CORNERZ" with his musical friends MC Ren and Kitchen Boy, and return to the music stage, which is undoubtedly a rekindling of his musical dream. This return is not only a continuation of Edison Chen’s artistic career, but also a response to his past and an expectation for the future. Fans are excited about his musical comeback and look forward to him bringing new musical styles and works. This move is seen as the beginning of his self-redemption and an opportunity to prove to the public that he continues to evolve and grow.

Changes in public perspective

As times change, so do public perceptions and evaluations of celebrities. In the past, Edison Chen’s controversial behavior may have long affected his public image, but now people are more willing to see a person transform and grow. In the age of social media, Edison Chen has gradually changed public perceptions by sharing his family life, business success and continued love of music. This shift from controversy to recognition not only shows Edison Chen’s personal efforts, but also reflects a more open and inclusive attitude towards personal growth and change in society.

New challenges, new expectations

Edison Chan’s return is not just a personal comeback, but also a manifestation of the diversity of Hong Kong’s entertainment industry. His music is no longer limited to traditional pop styles, but integrates more diverse elements, demonstrating his artistic maturity and exploration. This is not only of great significance to him personally, but also brings new vitality and possibilities to the music market in Hong Kong and Asia. His return is seen as an important event in the Hong Kong music industry, which has attracted widespread attention and discussion.

Combining music with social responsibility

Edison Chen’s music is not only a means of artistic expression, but also a channel for his social responsibility. He may convey a deeper social message through music, such as focusing on themes such as environmental protection, social justice or cultural diversity. In this way, Edison Chen not only demonstrates an artist’s social responsibility, but also provides the public with an opportunity to reflect and discuss social issues. This deep-rooted music creation may win him more respect and understanding, reducing the negative impact of past controversies.

The fusion of music and trend culture

As a cross-disciplinary artist, Edison Chen has established a unique connection between music and trend culture. He may integrate trend elements into music through music videos, visual identity of concerts, and personal image shaping. This unique blend not only attracts the attention of young people, but also adds more fashion and modernity to his music. In addition, he may also further expand his artistic boundaries through collaborations with other artistic fields, such as visual artists or fashion designers.

Attitude towards controversy

In the face of doubts and controversies from the outside world, Edison Chen may adopt a more open and mature attitude. He may show the public his process of growth and reflection by publicly speaking about his experiences and feelings. This sincere communication can help the public better understand his transformation and win him more sympathy and support. At the same time, it is also a way for him to deal with past controversies, and reduce the impact of controversies on his artistic career by responding positively.

Continuous artistic exploration

Edison Chen’s musical comeback is not only a new starting point for his personal artistic career, but also the beginning of his continuous exploration and experimentation. He may experiment with different musical genres and expressions, constantly searching for his own unique artistic language. This continuous exploration not only reflects his innovation and change as an artist, but also brings more possibilities and vitality to his music.

Overall, Edison Chen’s musical comeback is an important turning point in his personal and artistic career. He not only needs to face past controversies, but also needs to constantly explore and innovate to adapt to the ever-changing music market and public expectations. In this process, his every step will affect his artistic path and public image. We look forward to his successful transformation and bring more surprises and inspirations to the Chinese music scene.

Balance between family and career

In addition to his musical breakthroughs, Edison Chen’s family life is also an important part of his life. As the father of two children, he has won praise from the public for his family happiness and love for his children on social media. This balance of family and career shows the sense of responsibility and charm of a mature man. His efforts to balance family and career are also an encouragement and demonstration for those in similar situations. His attitude to life not only adds to his multi-dimensional charm as a public figure, but also adds more humanistic color to his comeback in the field of music.

The reshaping of public image

The return of Edison Chen is also an opportunity for him to reshape his public image. Past controversies once made him the focus of the media and public discussion, but now he has shown a more mature and positive image to the public through practical actions. His transformation is an opportunity for the public to re-recognize and evaluate him. At the same time, his efforts have also given other public figures who have experienced similar setbacks a positive reference, showing that people always have the possibility to change and reinvent themselves.

Cultural and market responses

Edison Chan’s comeback is not only a personal transformation, but also an important event for Hong Kong and the Chinese-language music market as a whole. His return is likely to lead a new music trend and have a profound impact on the Chinese-language music market. At the same time, his successful comeback will also inspire other artists to dare to try and change when faced with challenges. However, the repercussions at the market and cultural level are also full of unknowns. Whether his music can adapt to the tastes of the current market and whether his image can be widely recognized at the cultural level are the challenges he faces.

Multicultural integration and innovation

Chen’s musical comeback is not only a reboot of his artistic career, but also a harbinger of more cultural integration and innovation in music. His life experiences overseas have exposed him to diverse cultures and musical styles, and these experiences are likely to be reflected in his new works. We can expect him to combine Western musical elements with the characteristics of Chinese music to create unique cross-cultural music works. This cultural fusion can not only attract domestic and foreign listeners, but also bring new vitality and direction to the Chinese music market.

The courage and determination to face challenges

Edison Chen’s comeback is not only an attempt at musical level, but also a demonstration of self-challenge and breakthrough. In the face of past controversies and public expectations, he needs to show courage and determination beyond the past. This courage is not only reflected in music creation, but also in facing public opinion and personal image management. How to handle and respond to these challenges will test his wisdom and emotional intelligence. Only by truly facing and solving these problems can he go further on the road of comeback and gain more recognition and support from more people.

The combination of technology and art

With the development of the music industry, technology plays an increasingly important role in music production and dissemination. Edison Chen may use the latest technologies in music production, such as digital audio workstations, synthesizers, and various electronic sound effects, to enrich his musical expression. At the same time, he can also use social media and online platforms to promote his music and establish more direct connections with fans. The use of technology can not only enhance the quality and diversity of his music, but also help him communicate and interact more effectively with modern audiences.

Social responsibility and public image

As a public figure, Edison Chen’s every move has received wide attention. In the process of his comeback, he must not only show his artistic talent, but also show his awareness and commitment to social responsibility. By participating in public welfare activities and supporting education and cultural undertakings, he can show his positive side to the public. This sense of social responsibility can not only help him reshape his public image, but also inspire more people to pay attention to and participate in social welfare.

The road ahead, unknown challenges

Edison Chen’s road to musical comeback is full of unknowns and challenges. Changes in the market, the tastes of listeners, and the adjustment of his own artistic state are all issues he needs to face. In addition, how he balances his personal life and career, and how to maintain his uniqueness and competitiveness in the ever-changing entertainment industry are also the keys to his future development. Although the road ahead is full of uncertainties, it is these challenges and uncertainties that constitute the value and significance of his comeback road. We look forward to seeing a more mature and strong Edison Chen continue to write his own legend on the stage of music and life.

(Disclaimer) The description process and pictures of the article are all from the Internet. This article aims to advocate positive social energy and no bad guidance such as vulgarity. If it involves copyright or character infringement issues, please contact us in time, and we will delete the content as soon as possible! If there is any suspicious part of the incident, delete or make changes immediately after contacting.

Responsible editor:

56-Year-old Wang Zuxian’s recent photo exposure has become like this? In Vancouver, he choked up several times in public and exposed his amazing little secret…

Hello returnee.com

Serve Chinese students and returnees!

Source official account:Vancouver Harbour (ID: bcbaynews)

Click to see: 1 minute after submission, the matchmaking is successful, and singles can choose each other!

"Forever Xiaoqian" Although Wang Zuxian has been out of the movie for 19 years and has long settled in Vancouver to live the days of idle clouds and wild cranes, his every move still attracts attention.

After all Port Circle Muse in Glory Period, that year’s " The most beautiful woman in Asia"Even if he has been out of the entertainment industry for many years, Wang Zuxian’s popularity has not diminished at all.

Recently, some netizens posted a video of Wang Zuxian appearing at a Vancouver temple with white flowers in hand.

In the video, she still has long hair fluttering, wearing a white top with a lotus root pink dress. Wang Zuxian, who has not applied Fendai, is dressed elegantly and has a pure and refined temperament like a girl.

In the spring, Vancouver is lush and green, and the leaves are glowing with new green. Wang Zuxian walked towards the Buddha statue in the temple with the white flowers in full bloom in his hands, and reverently offered the flowers in front of the Buddha.

After that, she opened the scriptures again and recited them in front of the Buddha statue, looking safe. Although the first generation of Muse has been relegated to the rolling red dust, they have actually lived a peaceful life without being disturbed by the world

Exotic, Zen temple. The female star who was once popular all over Asia and was so beautiful that she put down the Vanity Fair of the entertainment industry, and also put down the love that was once sensational, unforgettable, and obsessed with nearly 20 years.

At this moment, the sun is shining brightly, the breeze is blowing, and enjoying the time with the Buddha, flowers, and scriptures should be beautiful.

Many netizens said that after watching this video, they seemed to have been infected. Looking at Wang Zuxian’s figure walking safely between the temples, his impulsive mood seemed to gradually calm down.

Perhaps, in that calm figure, there is still a power to cleanse the soul.

In 2004, Wang Zuxian announced his retirement after filming the movie "Beautiful Shanghai" and turned around to return home.

For nearly 20 years, she has lived a comfortable fairy life in seclusion in Vancouver. And those The lively fragrance that was once related to her has also become a memory of an era that is out of print for many people

In recent times, her every appearance seemed to be related to temples, puja meetings, and other elements.

Although he only wore simple Buddhist clothes to worship Buddha, he was still incredibly beautiful.

Some netizens praised her for her calm and tranquil face, and her temperament was as otherworldly as hibiscus. Even if she stood with the students around her, she had no sense of age incompatibility.

In May last year, some netizens posted a screenshot of Wang Zuxian’s video in Dawen Lingyan Mountain Temple. Among all living beings, she is still the one with a detached temperament and a full sense of girlhood.

During the Spring Festival this year, Wang Zuxian also attended a Chinese gathering in Greater Vancouver. When speaking on stage, he choked up several times.

Wang Zuxian was supposed to be attending a Buddhist-related event that day. In the photo, she was wearing a brown sweater + black coat with beige loose trousers and flats. Her simple dress was very low-key, and she was dressed like a passer-by around her.

However, Muse is Muse after all, and Wang Zuxian still looks very temperamental even without Fendai.

That day, her thick long hair was scattered at the back of her head, and the N95 mask was worn tightly, but even if it was a high-paste photo, she could still see that her eyebrows were delicate and her fairy energy was fluttering.

However, Wang Zuxian’s speech that day was really surprising. It could be said that he "exposed" a little secret that no one knew.

And she said, " In fact, I have been in the entertainment industry for a long time, but my space is very small".

Wang Zuxian choked up several times when she spoke on stage. She said, There was a time when my circle in Vancouver was very narrow and I had no friends, so I almost gave up on myselfFortunately, I persevered, and I am very grateful and fortunate to have met these current partners.

In 2019, Wang Zuxian converted to Buddhism under the Dharma name "Xingjue layman" and led his practice.

As early as 2016, when asked about her feelings, she said: " Everything is blank, my feelings are gone before my death, and they will be blank in the future"…"

"It’s over before I die!" All the love and hate that used to be buried in the ground, it seems like a lifetimeFor Wang Zuxian himself, maybe those past events have really been let go

After quitting the entertainment industry full of temptation and desire, Wang Zuxian gave up his identity as a first-line female star. During his more than ten years in Vancouver, he seemed to have really begun to live for himself.

Once a superstar, she is no longer attached to her beauty, and she can actually release her high definition photos without filters and beauty with confidence.

This Spring Festival, Wang Zuxian sent a recent photo to everyone to pay New Year’s greetings.In the photo, she is sitting leisurely on her sofa, with long hair hanging down her shoulders and a headband, revealing her entire face without hesitation.

Not only that, Wang Zuxian’s clothes are also very homely.She was dressed in a dark knitted sweater and had no makeup at all.The true appearance caused many netizens to exclaim.

As usual, public opinion was a bit harsh on Muse.

Many netizens said that they were stunned at first glance at the photo. Is this still Wang Zuxian? It’s like a different person. "I can’t see it’s Wang Zuxian at all", "I can’t recognize it"!

But you know, Wang Zuxian is already 56 years old. Who will not grow old? But how many people have had the peerless style like her when they were young?

Today’s Wang Zuxian seems to have completely ignored fashion. She said that life is for herself, how to feel comfortable, " I’m not a saint.Everyone gets old, just enjoy life"…"

And when he helped his friend Li Ruotong promote the new book, he also emphasized again: "Life is never defined by others, we all have to live well."

Indeed, Wang Zuxian under the screen has his own life. No matter what, we all wish Muse’s life better and better.

WeChat Channels are updated every day and are constantly exciting

Study abroad "

"

Hello returney.com’s past exciting activities:

  • The highest standard fashion yearbook of Chinese returnees! MEETME – 2018/19 Beijing New Fashion Night was successfully held in Beijing!
  • Chinese returnees’ own wedding season! I Love Trendy Wedding – The 2019 Beijing New Fashion Wedding Season was successfully held in Beijing!
  • In March 2019, the Hello Overseas Returney.com Beijing and Shanghai Spring Overseas Returnee Recruitment Fair was a complete success!
  • 2014 Hello Returney.com Global Travel: Eastern European Cultural Tour
  • That’s it!! Hello returney.com 2014 Halloween makeup party records

Responsible editor:

Today’s movie review | Hu Ge + Wu Lei cooperate again, can it be "worth the trip"?

1905 movie network feature The release of materials for the new film and the third on-screen cooperation attracted the anticipation of many netizens, and the topic "Hu Ge and Wu Lei’s new film role relationship" was on the hot search. What kind of story did the film "It’s Worth It" tell us, and why did the two cooperate this time attract much attention? "Connected film critics, talk with us about this hot topic.



Hu Ge and Wu Lei first collaborated on the 2007 TV series "Young Yang Family General," in which Wu Lei and Hu Ge played Yang Liulang’s childhood and adolescence, respectively. By 2015, Hu Ge played Mei Changsu in the TV series "Langya Ranking", and Wu Lei played his personal guard Feiliu. After a seven-year absence, the movie "A Journey Worth It" brought the two together again. What role did they play this time?



Tan Fei said: "This time Hu Ge plays a 35-year-old screenwriter – Wen Shan, this screenwriter is very strange, he writes about the life course of the deceased. Wu Lei also said in an interview that he has been accompanying Wen Shan. In the movie, he should be a virtual person, like a split personality, so he is also looking forward to the chemical reaction between the person born after this split personality and the original character." The personality doppelganger played by Wu Lei in the film may have a more straightforward level, thus complementing the personality played by Hu Ge. This "complementary personality" character relationship is worth looking forward to.



Referring to the expectations of the film, Tan Fei said: "Of course I’m looking forward to it. First, these two people are beautiful men, and everyone loves beautiful things. Second, because this is the third collaboration, they are very friendly. From’Young Yang Family General ‘to the later’Langya List’, this is the third collaboration, so the third collaboration, they actually have a process of slowly getting closer to age." In addition, the director of "It’s Worth It" is that Director Liu Jiayin’s previous works have many experimental and even avant-garde attempts at realism. Therefore, the film "It’s Worth It" is very exciting from the casting selection to the style.



The audience’s expectations for a character and a character are deeper due to their love for actors. The 22-year-old Hu Ge is handsome and energetic, and the 40-year-old Hu Ge is humble and stable. In the market feedback, Hu Ge has always been one of the few actors who can balance art and business very well. In this play, his role as Wen Shan is looking for himself, and how does the real Hu Ge find himself?



Twenty-two-year-old Hu Ge starred in "Legend of Immortal Sword and Fairy Hero". His role as Li Xiaoyao, who is ruffian and righteous, has a sense of opportunity, and this role suddenly became popular. Later, he took on "Legend of the Condor Hero", but an accident during this period became a turning point in his life. The unexpected car accident left him lying in a hospital bed for several months, which had a great impact on Hu Ge’s life. After 2006, he rarely made movies, and more did charity, including donating in the name of his assistant. "I think he may have had a huge reflection on his life after the car accident, and he has a different understanding of the value and meaning of life than the average actor, so he may have paid more attention to the communication with the world, a possibility of good will transmission with the world," Tan Fei said.



There was a period of silence until the TV series "Langya Bang", in which he played Mei Changsu, became a new starting point for him. In the film, Mei Changsu was dashing with melancholy and seemed to be pondering the world. Later, Hu Ge slowly took this slightly literary, slightly melancholy but also commercially selling image into the hearts of the people, including the later "Pretender", "Yes," and the film. Tan Fei said: "His production is definitely lower than that of many so-called first-line actors, and he suddenly fell silent, but this silence is by no means standing still, it is by no means not doing anything, but accumulating wealth in silence, thinking about life, thinking about the thickness and depth of characters, so I think Hu Ge’s works will get better and better in the future, because every time he laughs, every line carries the taste of life."



Liu Jiayin, the director of "It’s Worth It," features experimental realism in her films. Tan Fei explains: "What is experimental realism, that is, she is talking about reality, but in her expression, there are some avant-garde colors and some experimental colors." Compared with the traditional reality shooting method, experimental realism appears to have a higher threshold and also comes with risks. It is difficult for the audience to find their own high point in the expression of virtual and real, and we have seen some failed works that let the audience see in the clouds. Of course, there are also successful examples, such as movies and movies, which are relatively good combination of business and art.


A good movie also has to be good at selecting actors, such as those in "Send You a Little Red Flower" and "Life Events". Tan Fei mentioned: "This movie" It’s Worth It "has Hu Ge and Wu Lei teamed up, and there is no problem in terms of box office appeal and audience attraction, so his style must be slightly landing. I don’t think we can pursue that kind of experimentation too much, but I think the key point of experimental realism is the word’realism ‘. Maybe only realism can make the audience feel it."



Hu Ge was very cautious about taking on the film. He must have thought carefully about taking on this film, and he believed in his aesthetics, and his aesthetics would not disappoint the audience. Although this film is directed by a new director, there are also teachers who serve as the supervisor.


The strongest Spring Festival gear! Seven days whale swallow 3.30 billion Jackie Chan burst cold counterattack Zhou Xingchi


Abstract:2017 Spring Festival Box OfficeNew highs,With a perfect finish of 3.336 billion yuan,An increase of 8% over last year. The number of moviegoers also reached 88.11 million, a slight increase over 2016. Among them, "Journey to the West to Fighting Demons" swallowed 1.153 billion yuan and became the box office champion of the Spring Festival. "Kung Fu Yoga" 872 million, "572 million" Havoc in Tianzhu "," Riding the Wind and Waves "412 million, ranked second to fourth in this year’s Spring Festival box office rankings.


1905Movie Network News 2017The Chinese Lunar Year of the Rooster has ushered in a good start for the mainland film market. According to preliminary statistics, from1month27New Year’s Eve2month2On the sixth day of the new year, the shadow market is swallowed in 7 days33.36100 million yuan, more than last year’s Spring Festival30.8The box office increased by 8.3 billion.%33The figure of 100 million has once again broken the Spring Festival record, and there is no doubt that the Lunar Year of the Rooster has become the strongest Spring Festival record in history.

 

"Westward Journey to Fighting Demons",,, and five new films that opened on the first day of the new year have achieved quite bright results. They have respectively harvested 1.153 billion, 872 million, 572 million, 412 million and 297 million box office, leading the Spring Festival file. It is worth mentioning that since the fourth day of the new year, Jackie Chan’s "Kung Fu Yoga" has pulled down the biggest hit "Westward Journey to Fighting Demons" produced by Stephen Chow and directed by Tsui Hark, and has become the single-day box office champion for three consecutive days.

 

In addition, the cumulative box office of cartoons that opened on February 1 reached 10.02 million. Those that opened on January 27 performed poorly, and only received 13.52 million yuan in box office after 7 days of release.

 

"Journey to the West" broke the record of the first day of gold 1.10 billion, but the explosion was counterattacked by "Kung Fu Yoga"

 

Following last year, Zhou Xingchi, Guo Zijian directed, Zhou Xingchi supervised the film "Westward Journey to Fighting Demons" this Spring Festival and came out on top, the first day of the new year to attract money 353 million (including zero single-day box office for 365 million), broke the dust for two years, by April 2015 set a box office record of 345 million yuan (the film contains zero single-day box office for 398 million), sitting on the throne of the first-day box office champion in our country’s film history. At the same time, "Westward Journey to Fighting Demons" also defeated "Mermaid" and became our country’s fastest breaking 200 million and fastest breaking 300 million movie. Ultimately, the film was swallowed 1.153 billion yuan at the box office during the Spring Festival.

 

"Journey to the West" no suspense to lead the Spring Festival file, but surprisingly, the film box office has been declining, from the first to the sixth day of the new year, "Journey to the West" were reported 353 million, 215 million, 179 million, 145 million, 130 million and 116 million. The previously less optimistic action comedy film "Kung Fu Yoga" has been making great progress, in the Spring Festival holiday respectively 137 million, 126 million, 141 million, 148 million, 160 million and 153 million, the box office not only rose steadily, but also from January 31st on the fourth day of the new year, for three consecutive days to surpass "Journey to the West", the sudden counterattack became the single-day box office champion, leading the second half of the Spring Festival file.

 

In the end, "Kung Fu Yoga" reached 872 million yuan in the six days of the Spring Festival, 280 million behind "Journey to the West" and ranked second in the Spring Festival box office. However, on the first day of work after the Spring Festival on February 3, "Kung Fu Yoga" still received 25% of the pre-arranged films, and "Journey to the West" won the first place in the row. The follow-up box office of "Kung Fu Yoga" also continued to rise.

 

Four films kept pace and led the Spring Festival file "Havoc in Tianzhu" fell all the way, and the reputation of "Riding the Wind and Waves" rose

 

In addition to "Journey to the West to Fighting Demons", Wang Baoqiang’s directorial debut "Havoc in Tianzhu" can be said to be the most concerned film during the Spring Festival, but after the film was released, word-of-mouth hit the street, resulting in a high box office opening and low box office. 187 million, 114 million, 88.843 million, 67.723 million, 58.214 million, 49.773 million yuan, the box office trend of "Havoc in Tianzhu" from January 28 to February 2 is obviously insufficient stamina. From the second day of the new year, "Havoc in Tianzhu" was surpassed by "Kung Fu Yoga", and on the fourth day of the new year, it was pressed by Han Han’s second big screen work "Riding the Wind and Waves". From the third to the sixth day of the new year, the single-day box office was less than 100 million yuan, and the film also fell from the runner-up in the single-day

 

The most controversial film in the Spring Festival is "Riding the Wind and Breaking the Waves". This time, Han Han once again challenged the big screen, but he did not expect to bear the charges of "straight male cancer", "giant baby" and other values. The film was also boycotted by Xu Jiao and other star companies on Weibo. At the beginning of its release, the film did not perform well. It only received 67.66 million yuan at the box office on the day of its opening, which is far from "Journey to the West", "Havoc in Tianzhu", and "Kung Fu Yoga". However, with the word-of-mouth fermentation of "Riding the Wind and Breaking the Waves", the film has also been affirmed by the audience. Since the third day of the new year, the box office has been growing all the way, and "Riding the Wind and Breaking the Waves" has also harvested 412 million yuan at the box office in

 

Last year’s Spring Festival file, "Mermaid" was a big one, followed by, forming a triangular pattern. This year’s Spring Festival file did not have an absolute explosion, but formed a situation where the four films of "Journey to the West", "Kung Fu Yoga", "Havoc in Tianzhu" and "Riding the Wind and Waves" were neck and neck. The four films also joined forces to cut off 3.006 billion box office in the Spring Festival file, accounting for 90% of the total box office of this year’s Spring Festival file.

 

In addition, also on the first day of the new year, the cartoon "Bear Haunted · Fantasy Space" has accumulated box office 297 million during the Spring Festival. In order to avoid blockbusters, the "released one day in advance" has only received 13.53 million yuan at the box office as of February 2, and the results are quite dismal. The animated film "", which opened on February 1, received 10.02 million in two days.

 

The Spring Festival file has grown for ten consecutive years, and the Year of the Rooster has set a new record. On the first day of the new year in 2017, the box office broke the 800 million mark

As soon as the Lunar Year of the Rooster opened in 2017, the Chinese film market ushered in a good start. On January 28, the first day of the new year created a new record for the single-day box office in our country’s film history. On the same day, the market reported 803 million, which was 160 million yuan higher than the single-day box office of 646 million yuan on the first day of the new year last year, an increase of 24%. The New Year’s Spring Festival has always been a lucky day for our country’s box office, and has been growing rapidly for more than 5 years. In 2012, our country’s single-day box office during the Spring Festival was only 61 million. On the first day of the new year in 2013, the single-day box office during the Spring Festival broke through the billion yuan mark for the first time. In just 5 years, to the 2017 Lunar Year of the Rooster, the single-day box office during the

 

In addition to the super high box office on the first day of the new year, the box office trend from the second to the sixth day of the new year is also relatively stable, maintaining a single day at around 500 million yuan, which will also bring the total box office of the Spring Festival file this year (January 27-February 2) to a high point of 3.33 billion yuan, an increase of 8.3% over last year. In 2008, our country’s total box office of the Spring Festival file broke through 100 million for the first time. At that time, there were only 115 million, which was not enough for the single-day box office of "Journey to the West". In 2014, our country’s Spring Festival file broke out, soaring 81%. The box office of the Spring Festival file also broke through the 1 billion yuan mark for the first time, reaching a historic 1.466 billion. Two years later, the box office of the Spring Festival file has jumped from 1.82 billion to 3.08 billion last year.

 

Up to now, our country’s Spring Festival box office has increased for ten consecutive years. During this decade, the total box office of the Spring Festival file has increased by 28 times, which is quite impressive. This year, the Spring Festival file has reached a new level, and the box office has exceeded 3.33 billion in 7 days. There is no doubt that 2017 has also become the strongest Spring Festival file in our country’s film history.